Understanding Korean Literature by Hung-Gyu Kim & Robert Fouser
Author:Hung-Gyu Kim & Robert Fouser [Kim, Hung-Gyu & Fouser, Robert]
Language: eng
Format: epub
Tags: Political Science, Public Policy, General, Social Science, Ethnic Studies, Regional Studies
ISBN: 9781315285313
Google: x4QYDQAAQBAJ
Publisher: Routledge
Published: 2016-09-16T04:16:47+00:00
There are many different versions of the three most popular pâansori novels, Tale of Shim ChâÅng, the Tale of Châunghyang, and Tale of HÅngbu. In addition to changes that took place in the process of reprinting these novels for the commercial market, which grew considerably in the eighteenth and nineteenth centuries, the novels were transmitted orally in various versions over the years. Pâansori novels grew in popularity from the eighteenth century on, particularly among the common people. As pâansori novels grew in popularity, novels based on drama and written in a style that appealed to the common people developed a growing readership. Tale of Yi Châunpâung (Yi châunpâung chÅn), Diary of Three Daoist Immortals (SamsÅn ki), and Tale of O Yuran (O Yuran chÅn) are examples of this type of novel. Novels that portrayed human society sarcastically through the use of animals, such as Tale of SÅ Tongji, the Rat (SÅ Tongji chÅn) and Record of a Ratâs Trial (SÅok ki), also appeared at this time. All of these novels belong to the category of âcommoner novelsâ because of their popularity with the common people.
Certain works by Pak ChiwÅn (1737â1805) and Yi Ok (n.d.) that have the characteristics of novels are classified as ânovels written in classical Chinese,â and those of Yi Ok are called âshort stories in classical Chinese·, â This type of work appealed to those groups in society that were proficient in classical Chinese but in terms of contents it departed sharply from traditional yangban literature. Everyday life and social problems of the time were depicted clearly through the lives of a variety of peopleâmerchants, peasants, wealthy landowners, thieves, kisaeng (female entertainers in traditional Korea), and shamans.
Most of the novels discussed above had one character, or one important character. This meant that there was very little character development beyond the protagonist. In most of the novels that were discovered in the NaksÅnje, the private quarters of the royal family, the plot was built around the lives of many members of an extended family through several generations; this type of novel is called the âfamily novelâ or âepic novel.âExcept for works such as ChâÅngsusÅk, Falling Spring and Rising Clouds (NaksÅn tÅngun), Record of Repaying Gratitude (Poun kiurok), and History of the Two Branches of the HyÅn Family (HyÅn-ssi yangung ssangnim ki), which have been studied extensively, most of the remaining works have yet to be studied in detail. Family novels emerged toward the end of the eighteenth century and became popular with women in the royal palace through the activities of increasingly active book sellers in Seoul. The works were extremely long, most of them thirty or forty volumes. Treasure of Bright Pearls in the Moonlight (MyÅngju powÅlbing), a novel based on three generations of family life, is in 235 volumes. The characters in these novels are average members of the yangban class searching for power, wealth, and love in the real world. This differed sharply from other genres of the classic novel, whose heroes either had supernatural powers or accomplished miraculous deeds.
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